Document Type : Original Article

Authors

• Omid Jahanbakht layli ¹
• Zahra mafi ²

¹ Assistant Professor of Arabic Language and Literature, Department of Arabic Language and Literature, Faculty of Literature and Humanities, Gilan University, Rasht, Iran

² Master of Arabic Language and Literature, Department of Arabic Language and Literature, Faculty of Literature and Humanities, Gilan University, Rasht, Iran

Abstract

Mikhail Bakhtin (1895-1975 AD) is one of the prominent thinkers and theoreticians of literary criticism and his "Dialogism" theory examines the contexts of dialogue and polyphony in texts, so from this point of view, the intentions of writers can be based on that. It examined the sustainability and ways of transferring social concepts. (Problem) The present research aims to investigate the function of Bakhtin's dialogue logic components such as monologue, carnival, multilingualism and chronotope in the ode of Mahmoud Darwish, a poet and author of the Palestinian resistance (1941-2008), using a descriptive-analytical method. . (Method) The reason for choosing this research topic is that the said ode is considered as one of the dynamic factors of Darvish's poetry, the product of his years of captivity in the prisons of the Zionist regime and a form of resistance and struggle against the oppressors of the occupation regime. Considering the results of the research, in this meaningful ode, Darvish uses some teachings of modern literary criticism to convey the idea of stability and resistance to others and tries to rely on rhetorical propositions such as questions, calls, orders, symbols and The historical figures that imply the logic of conversation and are his most prominent method for creating a polyphonic atmosphere, add to the conversational nature of his poetry in order to create solidarity and Islamic awakening. (findings)

Keywords

• Mikhail Bakhtin
• dialogue logic
• Mahmoud Darwish
• Jadarieh'
• s ode

Main Subjects

• Arabic literature